I had imagined doing a big roundup post for the 20th anniversary of my LiveJournal, but due to rampant sleepiness on the 11th of July after my solo trip to London, I managed to miss it completely. (It was a mistake not to set a reminder in my calendar.) I still will, but in lieu of the roundup for now, here is a photo post from my final act of the London trip, which was to the eastern half of Highgate Cemetery.

Thanks to my DW/LJ, I know that I finished my photography project to visit all of the Magnificent Seven cemeteries in 2012. Someone asked me on my return home this weekend, “Who is buried in Highgate, apart from Karl Marx?” While I can answer that question with a list of names, the honest answer is that I don’t care. I don’t visit these places to hunt for the graves of specific famous people, not even Douglas Adams (sorry, mate. I do know where my towel is though). In fact, because I keep a journal, I have a precisely formulated explanation for my visits.

Maybe it’s obvious from my choice of photographs, but I don’t care much about finding the graves of the notable persons buried in these cemeteries. For me, the attraction of these places comes from the collective obliteration of individual identity. The sense that pain and sorrow have been absorbed and transformed into something that is rather beautiful - the admission, and acceptance, of death. -- Me, April 2012.
I love my journal so much. ♥ ♥ ♥

IMG_6464

Many photos )

This trip has inspired me to repeat the Magnificent Seven project, in reverse order, over the next few months. Next up, then: West Norwood cemetery.

I visited the Zentralfriedhof last year, but never got round to uploading the photos. The Zentralfriedhof is Vienna's cemetery, and its 3 million inhabitants make the vast grounds more populous than the city it serves. Today, May Day, is a public holiday in Austria and so there were many visitors, freshening up the family plots and laying flowers everywhere.

Humuhumu was just five months old during our last visit, and I carried her around the cemetery in her sling. I fed her near the Sisters' graves (I like to think they would not have minded) and then she went to sleep. This time we went with Granny and the pushchair. Humuhumu was awake throughout until we got back on the 71 tram to take us home.

The church dominates the grounds, its oxidized copper dome visible from just about everywhere. It would take hours simply to walk all the paths, let alone explore the graves, so even after two visits I've only seen a fraction of what is here.


Dr. Karl Lueger-Gedächtniskirche

Mausoleums, headstones and cenotaphs - oh my )


This one was with the upmarket lot, but was unusually unkempt. Outside the cut because I absolutely loved how this came out in black and white.
I lived in north London for a few years after I first moved to the UK, first in Camden and then in Highbury. I visited Highgate (Eastern) Cemetery fairly regularly during that period. Fishing around in my journal archives, I managed to find photos from my first visit in 2004 and some another visit in 2006. My last visit, in May 2009, was the first and only time I’ve been to the Western Cemetery. You have to go on a guided tour to visit this portion of the cemetery and the hours are quite restrictive.

I’m very, very fond of Highgate and I saved it for last because I’d been there before. Every visit reminds me anew why I love it. The entrance has been extensively remodeled since 2004. You now walk in through quite a nice pink little reception hut and pay £3 (it used to be £1 plus £0.50 for a camera) to a volunteer, who offers you a map. The volunteer sits behind a register in front of a tidy display of postcards, mostly featuring Karl Marx’s giant head, which is frankly the most glaringly incongruous grave marker in the cemetery.

When you first enter, you are suddenly struck by the fear that they’ve finally managed to clean up the entire cemetery the way that Kensal Green and West Norwood have been. The few new burials are right by the entrance, along the paved walkway. But then you turn off onto one of the unpaved, muddy paths and you head into the cool green ivy arbours, and you breathe a sigh of relief. Here are the overgrown Victorian graves with their lovely angel statues, handless arms outstretched to the heavens, heads bowed toward the earth. Here are the tree trunks wound in thick coils of ivy vines, providing a backdrop for a row of arched tombstones whose epitaphs have been erased by the elements, leaving only “In Loving Memory Of...”. There is the fox lying in the path, startled by the clicking of your camera shutter.

Maybe it’s obvious from my choice of photographs, but I don’t care much about finding the graves of the notable persons buried in these cemeteries. For me, the attraction of these places comes from the collective obliteration of individual identity. The sense that pain and sorrow have been absorbed and transformed into something that is rather beautiful - the admission, and acceptance, of death.



++++++ )
This was the cemetery that was furthest afield for me, since I typically arrive into north-central London from Cambridge. Getting there was no mean feat, not least because it required the use of Southern trains, proudly providing the fourth-worst service in the country. To be fair, it is easier to leave West Norwood than it was to leave Nunhead. Trains run to London Victoria every 15 minutes, as opposed to every 30 from Nunhead. This was good for me because I was more anxious to get away from West Norwood than I was from Nunhead.

West Norwood has a crematorium and is still in use as a burial ground. It is very well kept. Ivy has been severely cut back and few graves are inaccessible or invisible. The modern graves are interspersed everywhere with the Victorian monuments of which I’m particularly fond. This is a sharp contrast to the other Magnificent Seven, which are either no longer in use (e.g. Abney Park and Tower Hamlets) or have areas sectioned off for new burials (e.g. Highgate and Nunhead). Many of the new graves at West Norwood seem to be for babies or children and are clearly being regularly visited. In the other cemeteries, it is possible to walk around the old, overgrown and forgotten graves without experiencing the raw pain of recent loss unsoftened by the passage of time. In West Norwood, you cannot do this. I wouldn’t recommend visiting if you are in an emotionally fragile state.



+9 )
Nunhead is one of the more far-flung of the Magnificent Seven, requiring a Tube plus overground train journey to reach. The wide drive leading from the entrance provides a wonderful view of the destroyed Anglican chapel at its heart. An arsonist made short work of the interior and the roof in the 1970s. The Friends of Nunhead Cemetery have determined to make it a showcase for art installations like the one below.



At first I thought a living person had managed to sneak inside and play at being a statue, rather like those silver people you see on the South Bank in the summer. What a cunning stunt, I thought. As I approached, I got out my camera. A group of dog walkers promptly accosted me.

"Are you with that person?" one of them demanded in an accusatory tone.

"Er, no," I replied, surprised.

"Oh, I thought because you have that fancy camera, you might be participating in this," said Dog Walker #1 with a disgusted gesture at the scary black-clad figure on the bench behind the heavily padlocked chapel gates. Clearly her reaction to the installation was an anagram of mine.

"Isn't it clever?" I said wickedly.

"No, it's horrible!" she replied. "They show artwork here all the time and they're usually nice, but this is terrifying. I got the fright of my life coming up the walk."

"How funny we should have such different reactions," I smiled, and turned away to take photos of it.

(Curiously, Dog Walker #2 who had heretofore seemed inclined to agree with Dog Walker #1, now stepped forward with her phone to take pictures.)

Dog Walker #3, a middle-aged man, said, "Imagine seeing it at twilight. The crows settle on this chapel at night and they always turn up making the creepiest noise with their cawing."

Dog Walker #1 threw up her hands, harrumphed and left us to our contemplation of this ghoulish vision.

Nunhead was a refreshingly chaotic change after the strict order of Kensal Green. Signs everywhere warned visitors to keep to the paths as the grounds outside of them were treacherously unstable. There weren't all that many outstanding grave markers and the sections of the cemetery that are currently in use lack the romance of the old ivy-choked bits of it. But the atmosphere was excellent, enhanced by the incessant cawing of the crows. If you decide to visit Nunhead after it's been raining, I recommend sturdy walking boots or wellies, as my smart boots were completely filthy when I left.

+++++ )
Kensal Green Cemetery is the oldest and definitely the best kept of the Magnificent Seven. It makes photographing grave markers easier, but there's less of the haunting otherworldly atmosphere of the rest. You don't feel isolated from the city because there's no overgrowth to shield it from the sights and sounds of the surrounding area. Oddly, though, I didn't see another person aside from the rather morose chap in the tiny guard hut at the entrance while I was there. Most of the Magnificent Seven seem to be treated by the locals as parks, but this one feels more formal, possibly because it's still heavily used as a burial ground.



Lots more. )
To reach the Egyptian Revivalist entrance to Abney Park, exit Stoke Newington overground station, turn right and walk 200 metres. Then brace yourself, because the inside's an absolute stunner. You'll have the choice of two paths. Pick the left if you want to withhold yourself from the immediate pleasure of discovering its centrepiece: the disused nonconformist gothic chapel designed by William Hosking. It fully compensates for the rather unattractive entrance, which he also designed. All the windows are shattered, with little fragments of coloured glass clinging to the frames, but otherwise it's in remarkably good condition.

Certain of my friends will be interested to learn that Abney Park was Europe's first fully nondenominational cemetery, which goes some way to explain the wildly divergent styles of grave markers evidenced here. Certain other friends will be interested to know that parts of Amy Winehouse's Back to Black video were filmed in the park. You can see the chapel behind her repeatedly in the burial scene.



More, with a full shot of the chapel )


Next on my list of Magnificent Seven cemeteries was the youngest of them, Tower Hamlets (established 1841). Unlike most of the others, it's been closed to new burials for several decades. The large blocks of empty plots at the far end are a haven for wildlife, and it teems with birds and squirrels in daylight.

The prevailing fashion in burial statuary seemed to be for urns, often encircled by inscribed stone hearts, rather than for the angels that inhabit Brompton Cemetery.

+5 )
From a comment exchange with [personal profile] alwayswondered, an impulsive resolution was born to visit all of the Magnificent Seven cemeteries in London. I've been to three of them previously (Highgate, Brompton and Kensal Green), but I never pass up an excuse to visit a cemetery.



Since I work quite close to it, it was no trouble to dash quickly down to Brompton Cemetery on my lunch hour. (I would have liked to stick to public-transport-or-walking rule when it comes to these projects, but to keep the venture within my time limits, I had to cab it from Imperial.) My favourite grave markers are humanoid statues and Brompton Cemetery is awash in them. There's an imitation-classical circular section surrounded by columns and featuring a rotunda reached by a wide promenade in which an entire host of angels is encamped. I snapped until my fingers stopped functioning in the biting wind.

Five more, squared )
nanila: wrong side of the mirror (me: wrong side of the mirror)
( Dec. 10th, 2011 08:57 pm)
Tree, squared

The bloke & I went to the Lickey Hills (oh, English place names. I never grow tired of you.) just south of Birmingham this weekend. Naturally, I managed to find a cemetery during the course of our walk.

Six squared )

I've become accustomed to being mistaken for famous people occasionally. When I was a postgraduate, the chaps in the machine shop called me Dark Angel, after Jessica Alba in said television show. Since I moved to England, however, it's been all about a certain singer and pianist with approximately the same ethnic background. A few weeks ago, I was on a train home from Wolverhampton when the following exchange occurred.

Me: *snuggles down in seat, is almost asleep*
Chap: *shakes my shoulder*
Me: Whahuh?!
Chap: Do you sing?
Me: *blinks owlishly in total lack of comprehension*
Chap: Are you a singer?
Me: No, no I'm not.
Chap: You are. You're a singer.
Me: What?
Chap: Your dad was Filipino.
Me: How...how could you possibly know that?
Chap: Because you're Myleene Klass.
Me: *groans* No, I was trying to sleep.
Chap: I'm sorry. Would you like some crisps? Or a banana?
Me: No, thank you.
Chap: *gets up, starts to walk away* I'll be back for an autograph later.

Last week, I was walking down the street in Chelsea and I passed a pub full of very posh, very pissed young people. I was about twenty feet beyond the entrance when I heard a man roar, "Did you see who just went by?"

I picked up the pace. "Myleene!" he called. "MYLEENE!" (Side note: Does screaming at celebrities ever cause them to turn round and have a conversation with you?)

Last night, the bloke & I spent some time exploring Birmingham. Naturally, this included "exploring" the inside of a few pubs. In the first one, we were conversing quietly in a corner when I felt the effect of several pairs of eyes burning into the side of my face. I turned and saw a group of men in their thirties, and suddenly I knew. I didn't need to lip-read to be certain that they were having the Myleene Klass conversation, but I did anyway. They were.

In the last pub, another chap leaned over and said, "You're a dead ringer for that woman off the telly in those adverts. You know who I mean?"

I did, but I pretended I didn't. He struggled for a moment and then shouted, "Myleene Klass!"

The bloke returned with a couple of pints. The chap said, "Your lady here looks just like Myleene Klass."

The bloke replied, "She doesn't look like her."

I gave him a warning glare. He sat down. The chap smiled and went back to his conversation. Several minutes passed.

"That man keeps looking over here," said the bloke, highly amused. "He's still not sure you aren't actually Myleene Klass."

"We are so leaving after this drink," I replied.
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