
Inspired by
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Nevertheless, we decided to give it a whirl. After a couple of experiments, we determined that we needed to use it (a) when the sun was still high in the sky, to maximise contrast during exposure and (b) with materials that produced sharp edges.

The one on the left was made with periwinkle flowers and goosegrass (“sticky weed”, according to Keiki). The one on the right was made with pink and blue forget-me-not flowers.
We also picked quite a lot of wild garlic, which we’re going to use to make anthotypes tomorrow. The leftovers, we will eat, as usual!
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I was thinking of doing it outside in high summer, but the logistics of laying out a scarf and arranging plant material in the dark, then getting it outside, and finding a large piece of non-UV-blocking (plexi)glass to weight it down I haven't really figured out yet. I guess the glass is optional, but I think it does produce better results, and it protects from wind during exposure.
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